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Adrian Fisk Photography profile image
A

Adrian Fisk Photography

UK

‘20 Certificate of Excellence

Photography is more than my passion, it is my voice that allows me to share your story with the world. Whether that is simply a single portrait or a huge event I seek to get the best possible photographs. I come with more than twenty years experience of creating striking, compelling and beautiful work for clients both in the UK and internationally. My photographs have appeared in everything from National Geographic to Vogue and I've been commissioned by some of the worlds top advertising and design agencies to shoot for famous brands like Vodafone and Nikon. I was also asked to be the official Miss World photographer. My personable approach and unique ability to create instant rapport with my clients and those I am photographing allows me to get photographs that go beyond expectations and get the client just what they want. I'm delighted to say Im the winner of the Gold Award for the Bark Certificate of Excellence 2019. You can read many of the inspiring 5 star reviews and testimonies I have received from different Bark clients I have worked for. For best results please view the work on my website - www.adrianfiskphotography.com

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Hear from
a professional

What’s the secret to taking a great photograph?

Beyond creating an exceptional aesthetic you need to understand what you are photographing. What is it and what do you think defines that person or those people involved? The clearer you are the more powerful, compelling and poignant your photographs will be. It is important to be able to communicate a strong narrative through your photographs. Much like a book or a film there is a beginning, middle and end to a set of photographs that I send a client. You want to take the viewer on a journey that will engage them emotionally. It is the photographs that provoke and demand an emotional response that we remember, learn from, cherish and love.

What questions might you ask a client when starting a new project?

What is the most important aspect of your event, property, conference, or yourself that you want captured. What do you want these photographs to say?

What do you love most about your job?

I bring twenty one years of documentary photography, photojournalism and street photography experience to event and portrait photography and you know what the most amazing thing is? The process is practically the same! The difference being you are shooting to a clients brief rather than for yourself. In both you need to be clear in what you are communicating and your eye needs to be very sharp so you can capture those snap second moments when they reveal themselves. To capture great portraits and the vignettes of an event I shoot in the same unobtrusive manner as I do when shooting a journalistic story. In both I am following the same rules laid down by great photographers like Henri Cartier Bresson, Don McCullin and Martin Parr. It is an exceptional feeling when I know I am capturing a great moment and I use my many years experience to spot them, though they do not always make themselves obvious. Sometimes they are very gentle and unassuming and could be easily missed unless you are there quietly observing with your finger on the shutter. I am known for being an unobtrusive photographer and when photographing an event I watch carefully the scenes that take place before me much like you would watch a play with actors. As Shakespeare said, 'All the world's a stage' and never more so than an event with its many people interacting in a myriad of ways. Over time I think some of these photographs would make a great book. A series on some of the best moments I have captured in event photography. I look forward to that!

What inspired you to start your own business?

As a young backpacker in Asia many moons ago I found myself in the middle of a disaster zone in Bangladesh. A cyclone had ravaged the coastline killing 136,000 people. I was mistaken as a journalist and the next thing you know I am flying around in an old Russian helicopter. With a camera in one hand and my head out of the helicopter port hole I had an epiphany. I realised that as long as I have a camera I can go anywhere and see the world in all it's beauty, mystery and difficulties. That was 25 years ago and I haven't looked back since! These days my photography is a blend of photojournalism, event and portrait photography. Photography is an exceptionally competitive business to be in so I love the way it keeps you on your toes ensuring that you always deliver the best results.

Why should our clients choose you?

Photography is more than my passion, it is my voice that allows me to share your story with the world. Whether that is simply a single portrait or a huge event I seek to get the best possible photographs.
I come with decades of experience of creating striking, compelling and beautiful work for clients both in the UK and internationally. My photographs have appeared in everything from National Geographic to Vogue and I've been commissioned by some of the worlds top advertising and design agencies to shoot for famous brands like Vodafone and Nikon. Recently I was asked to be the official Miss World photographer.
My personable approach and unique ability to create instant rapport with my clients and those I am photographing allows me to get photographs that go beyond expectations and get the client just what they want. My prices are exceptionally competitive and I offer a quick turnaround time.

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The number of photos that your photographer will take will depend on the type and duration of the photoshoot you book. You won’t see most of the photos either. This is because your photographer will take duplicate photos in case anyone blinks or looks away. They’ll then delete any photos that don’t come out quite right before showing you the final selection. A one-hour family photoshoot will typically generate between 30 and 60 finished photos.

What you choose to wear for your photoshoot is a personal choice. It’s important to choose an outfit that you feel confident in, as this will help to put you at ease during your photoshoot. Try to avoid busy patterns as these may blur on photos. If you’re having a family photoshoot, it’s a good idea to co-ordinate your outfits to ensure that you don’t clash with each other.

There are a few things that you can do to prepare your children for a photo shoot. Firstly, tell them about the photo shoot and help them to get excited. This will give the best chance of capturing smiles on camera. It’s also a good idea to make sure that the photo shoot doesn’t conflict with nap times and that your children eat, drink and go to the toilet before the photoshoot begins.

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