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Music Teacher Training professionals in Shenley AV

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Guido Mallardi

Guido Mallardi

Guido Mallardi is an Italian pianist, composer and researcher, winner of 'On Piano Creativity' Permanent International Contest and recognised for both his fine playing and his interesting compositions by such famous figures as Alexander Lonquich, Héctor Ulises Passarella, Rodion Shchedrin, Frederic Rzewski, Piero Rattalino and Yoshiko Okada. His repertoire includes music from Bach to Ligeti as well as his own music (experimental works and innovative jazz arrangements), and also music composed by non-musicians through the Brainarm method, which is his main achievement in the musical research field. Since 2016 he is an appointed juror of the WPTA International Piano Competition (member of the Alink-Argerich Foundation). He studied at Conservatoire of Fermo then was awarded a scholarship in 2000; also studied in Conservatoire of Milan, Incontri col Maestro Academy of Imola and École de Musique Mozart in Bruxelles. Finally he graduated in 2006 from Fermo Conservatoire with a post-MA in piano and a first class BA in compostion. He studied composition with Marco Di Bari, harmony, analysis and counterpoint with Fulvio Delli Pizzi, analysis with Michele Ignelzi, while his piano teachers have included Piero Rattalino, Enrico Belli, Fausto Bongelli. In parallel he also attended piano masterclasses of such great masters as Alexander Lonquich, Boris Petrushansky, Jörg Demus, Franco Scala, Massimiliano Damerini, François-Joël Thiollier, Pierluigi Camicia and Giovanni Valentini; also Pier Narciso Masi and Alain Meunier for chamber music. His performances in Italy and abroad made him collecting great success as a very communicative and charming musician. In 1998 he has been the first pianist to perform in Italy Gyorgy Ligeti's works for two pianos. He is passionate about improvisation and experimentation and has worked in genres ranging from contemporary music, modern jazz and ambient/psychedelic. These experiences have led him to develop his own style, which he terms "Narf", a kind of inside-impressionism characterized by minimal diatonic constructivism. An example of this is in his work Dentro, which is in the catalogues of Orléans Concours International de musique XX siècle. Where Dentro is sacred inspired, delicate and suspended, the collection Prophandances is very colorful, rhythmical and iconoclastic, taking elements of acid-jazz to create a large form genre out of it. Among his works are various ensemble and several piano solo pieces. During the years 2002 to 2004 he took part to Alexander Lonquich's and Marco Di Stefano’s theatre companies, working as a pianist, improviser, composer and actor. In 2004 he wrote and performed some arrangements of famous songs of the early 1900 for the theatre Piccolo Re di Roma. A complete musician with eclectic artistic personality but also an inventor and a researcher of new methods to teach as well as composition music systems, his formation is full of experiences with various oriental disciplines and philosophies before his definitive discovery of the first century Christianism. He has taught piano, theory, composition, harmony, arrangement, counterpoint, improvisation in a number of music schools in Italy for approximately 15 years, developing and launching in 2008 a method he has called Analogic, which is focused on developing consciousness through music and tries to describes music through a development of symbols and archetypes, for application in composition, analysis and performance ("from inner-world to outward” is the motto he uses to define it in simple words). This type of approach led him to invent and develop a very helpful system of symbols he called PTS (Piano Tecnique Stenography), to assist pianists and students with approaching a piece of music and learning it without technical mistakes. In 2012 as well as founding a school known as the Accademia Professionale di Musica, he started making public demonstrations of his Brainarm method, which gives non-musicians tools to compose high quality music without requiring that they have any prior knowledge of theory or technique. Going against a common belief that it is only possible to compose good quality music once someone is already highly versed in theory and usually an extremely accomplished pianist, the Brainarm method is for anyone: a way of empowering everyone who wants to write music, no matter what their level of musical knowledge. Interestingly, despite taking advantage of the instrumental technique and the experience of the tutor, no influence comes from him during the composition process. To listen to some music composed by beginners and non-musicians, please visit the music section in www.brainarm.com.  

Sergio Cabrera

Sergio Cabrera

Sergio Cabrera’s influence has been making a big impact on dance floors since the underground rave scene of the early 90’s. Sergio made a name for himself on his native island of Tenerife showcasing new beats and regularly playing before cheering crowds of Old Skool Hardcore, Jungle and Drum and Bass devotees. From humble beginnings playing rundown warehouses and back gardens, Sergio’s popularity .. From pulling international crowds to their feet in Tenerife at Paradise Club, Busby’s and Bobby’s, El Establo and the Joyce Bar, Sergio moved permanently to London to pursue his passion for audio engineering. He studied at the world famous SAE institute and went on to record, edit and mix for documentary and fashion film soundtracks. He has released tracks with labels like Madison Square Records, Monkey Show Records and ExperimentalBass Records. With airplay on radio stations like Essentialclubbers and Renegade FM, Sergio’s music style is diverse, encompassing everything from Old Skool Hardcore, Drum and Bass and Jungle to Funky House, Electro Tech House, House and Breakbeat. Sergio’s undeniable flare for mixing Old Skool Hardcore with new and exciting beats has seen him develop a music portfolio that exemplifies his wealth of knowledge that is intrinsically tied to his musical roots in the heyday of rave culture. However firmly rooted his sound might be, it hasn’t stopped Sergio from exploring exciting new territories as a dance music artist. Staying true to his innate curiosity and persistent obsession for advances in software applications, Sergio has evolved into a multi-genre producer offering an almost painterly palette of sounds and interesting mixes. His acute sense of hearing and attention to detail filters the subtle changes of a polyphonic composition, complementing his versatility and vast technical knowledge. The inquisitive mind of this young Spanish producer has drawn him to explore the direct psychological and physiological responses associated with compositional frequencies, leading him down the path of psychoacoustics and sound installations. As of now, Sergio has only scratched the surface of his musical possibility as he continues to dive into the creative depths of music production to develop a sonic language of his own. He has set out on a mission to stimulate our brains and expand our perceptual responses in ways that will take our receptors on a next-level musical journey. We eagerly await his upcoming work. “Creating music in a studio is great as you know it will create a response - a feeling - when it’s heard, but nothing compares the immense feeling of joy I get from playing in front of a crowd that goes wild at the movement of my fingertips.” - Sergio Cabrera Sergio Cabrera is an Audio Engineer, Sound Designer, Music producer and DJ that hails from the heyday of 90’s rave culture as resident DJ in some of Tenerife’s most iconic venues. After leaving his home island to pursue his passion for audio engineering in London, Sergio earned his Bachelor of Science in Audio Production at the world famous SAE institute and went on to record, edit and mix for documentary and fashion film soundtracks, while taking up DJ residencies at N1 Leicester Square, Pacha London and the infamous Polarise. He has released tracks with labels like Madison Square Records, Monkey Show Records and ExperimentalBass Records and continues to explore a diverse music portfolio that exemplifies his wealth of knowledge and his hunger for pushing the boundaries of sound production. Staying true to his innate curiosity and persistent obsession for advances in software applications, Sergio has evolved into a multi-genre producer offering an almost painterly palette of sounds and interesting mixes. His acute sense of hearing and attention to detail filters the subtle changes of a polyphonic composition, complementing his versatility and vast technical knowledge. His inquisitive mind has drawn him to explore the direct psychological and physiological responses associated with compositional frequencies, leading him down the path of psychoacoustics and sound installations. With familiarity and experience on a variety of both analogue and digital consoles, controllers, suites and DAWs, Cabrera is a methodical and determined audio engineer. Fluent in English and Spanish and with a basic knowledge of Italian, Sergio is an excellent communicator who is also very friendly and approachable. Besides mixing, recording and sound design, Sergio has more recently turned to sharing his wealth of knowledge and expertise through teaching. Teaching different subjects such as: -Music Production -Audio Engineering -Sound Designing -Electronic Music Production -Live DJ Performing Also different recording and mixing solutions such as: -On location recording -ADR -Vinyl Record Digital Transfer and Restoration -Foley -Stems mixing -Final mixing -Cassette Tape Digital Transfer and Restoration We have an extensive use of the following DAW's -Pro Tools -Ableton Live -Reason As well as the following consoles: Neve Genesys | SSL AWS 900+ | Neve VR SSL 4000 G+ | Mackie 1202 VLZ Pro TL Audio VTC Tube Technology Console Mackie Onyx 24-4 Bus Series Familiar with Otari MX 80 Tape Machine, calibration alignment & degaussing We also do turntable restoration, changing tonearms, calibration, wow and flutter, cable soldering, etc. 

 

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