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Music Teacher Training professionals in Stansted

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Guido Mallardi

Guido Mallardi

Italian pianist and composer, graduated in both faculties with distinction (Piano post-MA and Composition BA at Conservatoire of Fermo, Italy in 2006), winner of 'On Piano Creativity' Permanent International Contest and a scholarship in 2000. Great worldwide personalities such as Héctor Ulises Passarella, Rodion Shchedrin, Frederic Rzewski, Piero Rattalino, Yoshiko Okada and others appreciated him both as a fine composer and a pianist. He studied at Conservatoire of Fermo, Conservatoire of Milan, Incontri col Maestro Academy of Imola and École de Musique Mozart in Bruxelles. Among his piano teachers there are Piero Rattalino, Enrico Belli, Fausto Bongelli for the piano. Moreover, he attended piano masterclasses of several worldwide-known masters: Alexander Lonquich, Boris Petrushansky, Jörg Demus, Franco Scala, Massimiliano Damerini, François-Joël Thiollier, Pierluigi Camicia and Giovanni Valentini; Pier Narciso Masi and Alain Meunier as for chamber music. He has his composition skills trained with Marco Di Bari and, among others teachers, he studied also with Michele Ignelzi for analysis at Conservatoire of Fermo, Fulvio Delli Pizzi for analysis and counterpoint at Conservatoire of Milan. His performances in Italy and abroad made him collecting great success as a very communicative and charming musician. His repertory includes music from Bach to Ligeti and his own music. In 1998 he has been the first pianist to perform two pianos Gyorgy Ligeti's works in Italy. Numerous experiences with improvisation and experimentations in various genres like modern classic, ambient, jazz and psychedelic led him to create a new unhearded style he called Narf, a kind of inside-impressionism characterized by minimal diatonic constructivism like that experimented in his delicate work Dentro. On the other hand, in his colorful and rhythmical Prophandances he treated acid-jazz as it were a large form genre. He took part to theatrical life joining Alexander Lonquich's company and Marco Di Stefano’s one as a pianist, improviser, composer and actor; and performed his own arrangement for the theatre Piccolo Re di Roma. His music has been inserted in the catalogues of OCI (Orléans Concours International de musique XX siècle). Among his works are various ensemble and several piano solo pieces. A complete musician with eclectic artistic personality but also an inventor and a researcher of new methods to teach and composition music systems. His formation is full of experiences with various oriental disciplines and philosophies before his definitive discovery of the first century Christianism. He has been teaching classical, jazz and pop music in many italian private schools since 2000, delivering courses dealing with piano, theory, composition, harmony, arrangement, counterpoint, improvisation. In 2008 he started using a new method he invented and defined Analogic, for a development of human inner skills and consciousness through music ("from inner-world to outward"), trying to describe music as a map of symbols and archetipes, which has its application also in composition, analysis and performing technique. He also created a piano tecnique stenography, a very helpful list of symbols describing those movements a musician should do to approach a piece of music without mistakes. A lecture-masterclass has been organized by Visionary School of Music in South West England to show how it works and how applies to music study. But his main achievement in music education and art is Brainarm method, allowing non-musicians to compose high quality music through tutoring, with absolutely no need of any theory/technique knowledge. Although it is still considered impossible to many of his colleagues to compose if not a musician, if not able to play piano and without being influenced by the tutor, in 2012 he started making public Brainarm demonstrations in his area, surprising the audience during the final concerts organized by Accademia Professionale di Musica, the school he founded in Italy in 2012. To listen to some music composed by piano beginners and non-musicians, please, visit the music section in  

Comprehensive Piano & Vocal School

Comprehensive Piano & Vocal School

Individual tuition for classical piano and vocal, music theory, harmony, music style and form (Cambridge University approach). Incorporating most musical styles. ABRSM exams or fun. Training includes - practical skills in piano playing (fun and advanced), voice placement and range development, breathing technique; music theory for ABRSM exams (practical and paperwork) if student will start from the beginning with me; harmony (chord progressions with transposition, practical piano exercises and paperwork); aural skills (perfect music pitch development). Professional piano accompaniment for vocal or any instrument examination.  


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