Audacity Hall Circus Theatre
Bristol, United Kingdom
Audacity Hall Circus Theatre is a reliable, professional performance and workshop company that ensure your events entertainment is in good hands. With 6 years of training in some of the biggest circus establishments across England and Wales (No Fit State/Circomedia) and 2 years of working professionally, Audacity provides high quality experienced and educated insights.
Audacity Hall can offer rare skills that are not often seen within the circus; Chinese Pole acrobatics. This piece of equipment is a spectacle in itself, guaranteed to entice your guests curiosity before they even see the act.
The company strives to deliver holistic care from start to finish, entailing many benefits and including the genuine ability to expand into other forms of circus theatre entertainment.
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Audacity Hall Circus Theatre
What do you love most about your job?
The thing I love most about my job is making people happy and taking them away from the stress of their daily routine. I feel this is a service which everyone needs and am proud to feel part of something that might make someones day more enjoyable.
What inspired you to start your own business?
The desire to be the director of my own life, which I want to be rich with experience.
Why should our clients choose you?
Benefits of working with Audacity Hall include that she is a fully trained and certified professional who is able to give your guests a night to remember. The holistic care which not only puts your mind in a comfortable position knowing your entertainment is sorted is a given for any good performer.
Chinese Pole Partner Acrobatics Static Trapeze Aerial Hoop Acro-Dance and Tumbling Stilts Fire
Theatre and Music
Storytelling Character walkabouts Physical Theatre Clown Solo music sets
Chinese Pole Artist
From March 2016 to April 2017.
A family friendly tented Circus. This is a very lovely Norfolk based troupe who showed me the ropes and knots of assembling the big top. This run of tours including 2 shows a day and developed my acts to an exceptional level.
National Youth Circus Representative
No Fit State
From January 2010 to September 2012.
I was on a funded out-reach development scheme which benefited me in ways that I thought only happen in fairy tales. I put this as work because in practice the set up was very similar to an apprenticeship without the title. Here I learned my aerial skills as well as teacher training, audit assessments and crew experience. I owe my existence within the circus industry to this circus and its team.
As Told By a Goblin
This collection of fables is my artistic outlet. This is storytelling is made up of poetry, dance, acrobatics and theatre all composed into the symphony of escapism into a fantastical world, where all promises that were made to you as a child are kept.
Audacity was raised by a Doctor of Computer Vision who has various degree's in physics and is an internationally renowned specialist within artificial perception (a branch of artificial intelligence) During the upbringing of my sister Rhyannan and I we were taught from a very young age aspects of critical thinking, physics, mathematics , by our father, which are not offered in state schools. As a result there are three people in this family who are exceptionally interested in perception and each of us have built three entirely different careers around; Head of Computer Science, Costumer designer who has worked for the Russian Ballet on Ice, and myself. A circus performer with ambitions to be a director. This study is a little much to try and explain how without delivering you with a dissertation that would really only cover one aspect of perception in one particular method. Instead I can tell you the benefits of understanding how , and why we can apply knowledge about our neurological sensory process opens up new ways to create spectacles, illusions, advanced methods of atmosphere enhancements and ultimately to communicate. It is one of the most empathetic sciences because it is the study of how we, as a species, assess the external reality. My research has been vast and is currently being fused with existing dance and theatre technique/theory . It is this blend of information that is helping me apply it to various circus disciplines. For this study I have not only had to gain a basic understanding of the sensory systems (visual, touch, taste, audio) and how these plus how muscle nerves communicate, but also how the brain responds to which stimuli and what synapses are triggered when. This research has taken me through many branches of neurology, dance and theatre, but also sociology, architecture , light, geometry and bio-mechanics. I am in works to produce a series of works making this accessible to a circus/theatre/dance/director/producer audience. (Hope that made sense)
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